Heimlich Dead Cows, (SPrice) 2017

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 Rolling around  

in POPS to slough 

 from distance or 

 the movement is not  

remunerated it is 

  morphed into the 

       final demand 

carved polyurethane foam 

resembles the 

 chemical reagents of home 

as expression of developing

   a mobile version of Snake

  you used to play at a burning 

 pyre where things

 are made again and 

again like reinforced end-notched

  glued laminated timber beams

 in scenic  paint it’s

 the way they see their life

Les Quarre Saisons (numero sbagilato) 2018, Multi-media installation

Small cup of Piss/ Medium Imhof Umleitung/ Large Kapoor We All Fall Down (SOLD)

REST BREAKS (II) 17th of May 2019

it’s got no agenda (DRAFT/UNFINISHED)

          

  Prion aspiration creeps 

   the floor as awful myth, 

in pre-construction celebrity maws 

           at award show you need money for that 

         with maquette portrait 

            sitting out your mother

          again to cook children dinner: 

'I have a screen inside my head'

       gone right back to cutaway 

                  no reverse shot! 

          one must realise that 

stars aren't allowed to think

             in place of the other 

                   will feature nothing but willow,

   birch and primrose for nature

            of the fundraising Gala is

             every sensory access 

signals point growth 

         in demented wave 

       one to one tender the dead cyclical 

          landscaping seriation type poor people

in device hanging 

          photo-montaged air 

     the trustee will call again 

   on Monday and issue statement 

  by platelet fill up early

    morning urine under label 

    from Arcadia out one sees 

   all these unscathed 

plods in utero caning 

           the standpoint cronyism 

half-out half-in 

as intense stretching and 

      burning viewpoints 

         on large scale commercial hire 

bled to omnibuses

What's the function of labeling every day, still-functional things and actions as artworks? Are they still readymade artworks when they're not in the context of the installation, and if so how does one relate to those items outside of that context?

MISS READ smear

Power to the Peaceful (DRAFT/UNFINISHED)

On a lathe well lined glen

         opens out onto 

the longest pay

               squeeze in 200 years

    which is when 'working people' 

deteriorated in every

            street corner but still

say make total destroy 

           around chrome

    balustrade fronted traffic

environmental zone 

           chicanes are both good and bad

 because a blockade keg is

a still from the viewpoint 

of Bakelite light switches 

 goes with the Cotswold stone

     in the fanned horn off 

benches with armrests 

and crime of public

steaming flint cone 

digest any public utility cobble

        no happy accommodation 

that simulates pain in a 

vast six-story stucco mansion

 a rambling farmhouse in 

Sussex countryside and a 

mews house in London

the main was Band H trailing

tinsel in a velveteen case

by making them untouchable

for the old days charmed

up in one of these

finishing buildings
or otherwise eating horse