(1) a preoccupation with themes of socio-economic resentment; (2) a ‘levelling’ use of catalogues and lists; (3) an excessive, often blasphemous wordplay; (4) a tendency to blend and thus level incongruous genres; (5) a justi cation of symbolic transgression, especially in the context of lay preach- ing, as prophetic behaviour; and (6) imagery of self forti cation against per- secution and martyrdom (DRAFT/UNFINISHED)

      Checkproof allocation spent on grassy 

knolls as the bridge deck
   vervain ablates common

out in sun lease moot objective 

as new heart of live acoustic cordon, 

 how the Greek Amphitheatres 

     are still in use today 

it will have firm edges, it

will be a quadrilateral 

and they will contain large 

amounts of people 

uncharged at the planned loss

on both sides of the

procurement process 

they should build it in Hull,

  the chide turret of bastard 
feudalism is recruiting gentry 

    into rite affinities justice in as geography 

               of bobs yr eligible clamp the poor door 

of rent glittering daylong 

nightlong prism all
windows spoils air nicely 

         to blat the School Yard and Chapel Steps 

   hang off Stick-ups 

      birching on the flog day your 

 clue fetch stick 

             regales stiff dramaturgy in sink frisk 

cuffed to bone urbanists
 stocking garden door closes 

tipped in skin triode cultivated leafy glade  

   scarp did wild glade pioneered 

horribly as they should  always have 

done lips & tongues say I don't want choice 

I just want nicer things!
      Palmolive in streets

tinter brides into sight out harms 

and admitting only that which does good, 

the form-order of the mistress

  to the house of drunken 

mosquitoes adores female clothing 

  as the royal mast head weds use 

   of a kipper and comrade government 

   chaste aspire out the social Borax  

    'Where are the papers?'

       the spent gantry of her bodice 

franchise decorated 

with a peacock feather 

   as immobile mitt caresses a birch with a

   appreciation of anatomy platform from 

sufferings at the swishing block

        'But what am I to be punished for?'

needless to say, the electrical 

spanking machine is of American 

origin in and out of hearing the end 

of customary discipline  like the laboratory rat 

doomed to inexorable itinerary 

in its cage you feel  celebrated gift 

   in painted aluminium

anodised aluminium, Plexiglas, wood 

Layered impasse screen wall plate 

 double mounted wall rail

powder-coated aluminium 

20 elements each 200cm x 15cm x 3cm

and signage for a

       35 foot floor social centre

as incomplete transitive relations of 

   post-utopian community

instruction text the vendors hate speech

at a certain distance from the heart the street 

existing ceiling brushed and etched  

prototype sound system  is a living 

symbol in our minds

           and it whips the confirmation class a romance of 

Schoolboy England and
the humour of the suppressed 

as livre de chevet