Sunday 7 April 2019

(1) a preoccupation with themes of socio-economic resentment; (2) a ‘levelling’ use of catalogues and lists; (3) an excessive, often blasphemous wordplay; (4) a tendency to blend and thus level incongruous genres; (5) a justi cation of symbolic transgression, especially in the context of lay preach- ing, as prophetic behaviour; and (6) imagery of self forti cation against per- secution and martyrdom (DRAFT/UNFINISHED)

      Checkproof allocation spent on grassy 
knolls as the bridge deck
   vervain ablates common
out in sun lease moot objective 
as new heart of live acoustic cordon, 
 how the Greek Amphitheatres 
     are still in use today 
it will have firm edges, it
will be a quadrilateral 
and they will contain large 
amounts of people 
uncharged at the planned loss
on both sides of the
procurement process 
they should build it in Hull,
  the chide turret of bastard 
feudalism is recruiting gentry 
    into rite affinities justice in as geography 
               of bobs yr eligible clamp the poor door 
of rent glittering daylong 
nightlong prism all
windows spoils air nicely 
         to blat the School Yard and Chapel Steps 
   hang off Stick-ups 
      birching on the flog day your 
 clue fetch stick 
             regales stiff dramaturgy in sink frisk 
cuffed to bone urbanists
 stocking garden door closes 
tipped in skin triode cultivated leafy glade  
   scarp did wild glade pioneered 
horribly as they should  always have 
done lips & tongues say I don't want choice 
I just want nicer things!
      Palmolive in streets
tinter brides into sight out harms 
and admitting only that which does good, 
the form-order of the mistress
  to the house of drunken 
mosquitoes adores female clothing 
  as the royal mast head weds use 
   of a kipper and comrade government 
   chaste aspire out the social Borax  
    'Where are the papers?'
       the spent gantry of her bodice 
franchise decorated 
with a peacock feather 
   as immobile mitt caresses a birch with a
   appreciation of anatomy platform from 
sufferings at the swishing block
        'But what am I to be punished for?'
needless to say, the electrical 
spanking machine is of American 
origin in and out of hearing the end 
of customary discipline  like the laboratory rat 
doomed to inexorable itinerary 
in its cage you feel  celebrated gift 
   in painted aluminium
anodised aluminium, Plexiglas, wood 
Layered impasse screen wall plate 
 double mounted wall rail
powder-coated aluminium 
20 elements each 200cm x 15cm x 3cm
and signage for a
       35 foot floor social centre
as incomplete transitive relations of 
   post-utopian community
instruction text the vendors hate speech
at a certain distance from the heart the street 
existing ceiling brushed and etched  
prototype sound system  is a living 
symbol in our minds
           and it whips the confirmation class a romance of 
Schoolboy England and
the humour of the suppressed 
as livre de chevet