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Friday, 29 May 2026

On Pain III (re-edit 2) (unfinished/draft)



Rose note in the genital area

snow falls has itself become sick 

tenderness in the coarsest demands 

what is turning in the wrong sky 

dear light & to vanish closed 

the scent of oleander, pink pepper & 

tamarisks lingers forever

& in the diadem goodness  

before fade-outs must be the Heart

now gradients in your Don't Die Crewneck

negative values conspire apart

can be eventually eliminated

abandoned what cruel brightness

denied your sleep

between the Left & the Right

what wrecked chine torn that lithium

downlight through the street 

& into eternal gardens

but lay for me here

you your sweet-rising voice 

pining rouged carmine

as if the dead would wait also

pains or becoming visible again

in your room are peaks gently kissed

inwards its private world

so we become an insurgent cell

of one together & when love is not 

unbroken or exiled without eyes 

every word small inurns

the Kingdom of the Sick

New River Walk 

the walls, floors bondage predation

even the living will seem unreal

will have to choose 

just how much unpleasantness 

we wish to create or conserve 

hemlocked sweet to giddiness 

the hyperthymic steel link,

or euthymic winking at the brim 

travel to Switzerland to die & the dying 

need not be sick 

little insects all screws bolted

curled black lids fading shells

kidney shaped abscesses bumps

& the dead meant for Linz 

memorised in amice song 

cultus medicine paste    

trespassing in reuptakes 

some things are free 

through this alkaline garden

faery lands forlorn in place of doves

quiet breathe toured the midnight 

in the kingdom of the sick

on the sickle of your neck

The Working Class Goes to Heaven

in a sacro pod every four minutes

I’ve tried to become that person

& downed myself to the palest twilight

dividing by zero cures all but ends all 

this time rostral shell photographs of lilies

with funeral sympathy bouquets

Alex Karp’s mothers collaged motifs

Named The Gentlest Asphyxiations, 

& pain the type you feel.

Thursday, 28 May 2026

In Heaven...(rough draft/unfinished)

 


In heaven there is no jade emperor, 

On earth there is no dragon king , 

I am the jade emperor, 

I am the dragon king. 

Let the mountains make way, I am coming.


In the line drawn vexed sand 

entered unpleading this time 

is their numbered starked naked singing 

covered in the black letter 

one thousand treatises in a halo

who do you serve to be whole 

& save what pollution haven 

billets could end the birds 

the weeping in the windows

over fragile light chordal winds 

the popcorn lungs armouring, 

my universe is coming from my mouth

again see touch this intimate nerve 

as it coils round akasha pillars 

contrails mistaken for militant justice 

paranoias vital trysts 

mutually assured mental destructions 

vanquished faces if you can keep it

from childhood dreams keep it, amen.




On Pain III (re-edit 1) (unfinished/draft)



Rose note in the genital area

snow falls has itself become sick 

tenderness in the coarsest demands 

what is turning in the wrong sky 

dear light & to vanish closed 

the scent of oleander, pink pepper & 

tamarisks lingers forever

& in the diadem goodness  

before fade-outs must be the Heart

now gradients in your Don't Die Crewneck

negative values conspire apart

can be eventually eliminated

abandoned what cruel brightness

denied your sleep

between the Left & the Right

what wrecked chine torn that lithium

downlight through the street 

& into eternal gardens

but lay for me here

you your sweet-rising voice 

pining rouged carmine

as if the dead would wait also

pains or becoming visible again

there in your room

are peaks gently kissed

inwards its private world

so we become an insurgent cell

of one & when love is not 

unbroken or exiled without eyes 

that unpities every word 

inurns small drubbings 

on the Kingdom of the Sick New River Walk 

leaks out the last crypto-communist

whispered to itself:

Nobody exists’ 

then falls dead in the walls, floors bondage

predation even the living 

will seem unreal will have to choose 

just how much unpleasantness 

we wish to create or conserve 

hemlocked sweet to giddiness 

the hyperthymic steel link,

or euthymic winking at the brim 

travel to Switzerland to die & the dying 

need not be sick 

little insects all screws bolted

curled black lids fading shells

bumps, kidney shaped abscesses

& the dead meant for Linz 

are actual police proxy codes

wire to wire memorised in amice song 

the cultus medicine paste    

trespassing in reuptakes 

some things are free   

through this alkaline garden

quiet breathe toured the midnight

faery lands forlorn in place of doves, 

in the kingdom of the sick quivered

many more times on the sickle of your neck

& The Working Class Goes to Heaven

in a sacro pod every four minutes

I’ve tried to become that person

downed to the palest twilights

dividing by zero

that cures all but ends all 

Manifest Destiny 

this time the rostral shell 

photographs of lilies

with funeral sympathy bouquets

Alex Karp’s mothers collaged motifs

Named The Gentlest Asphyxiations, 

& pain the type you feel.





William Steig’s Illustrations for Wilhelm Reich’s Listen, Little Man!, 1945

 















The William Steig’s Illustrations for Wilhelm Reich’s Listen, Little Man!, 1945   book is illustrated by cartoonist and author William Steig November 14, 1907 – October 3, 2003), the New York-born son of Jewish-Austrian immigrants best known as the author of the children’s book Shrek! (1990), upon which the films were based.





























Tuesday, 26 May 2026

Tuesday, 19 May 2026

These Tory Devils Stole My Eyes, 2026


15.5 cm x 8cm 
Custom frame, wood, Dolphin Square secret files, Staples, 
Oil on Expensive European Fabric 





 

Monday, 18 May 2026

Petra flying above San Sebastián de La Gomera, 2026

 

 29.7 x 42.0 cm
Pencil & Pen on Paper, Frameless Clip Frame